Adrenalinn III Review: Part 2

This is a continuation of the Adrenalinn III pedal review, you can see the previous installment here. This time, we’re going to look at the pedal’s effects, i.e. delay, reverb, compression, and modulation. The reverb and delay are pretty basic, so we’ll spend most of our time looking at the spectacular modulation effects. If you’re a fan of John Mayer, you’ve probably heard this pedal’s modulation- it’s the pedal he uses on the songs Bigger Than My Body, Heartbreak Warfare, and I Don’t Trust Myself.

The way the pedal routes the signal internally can be changed to a certain extent: you can change the order of Amp, Mod, and Compressor in the chain. Delay and Reverb always come last (partly because you can also route the drum machine through delay/reverb). The compressor can be used pre-amp as a sort of clean boost, or after as a limiter.
Continue reading “Adrenalinn III Review: Part 2”

Adrenalinn III Review: Part 1

This will cover the Adrenalinn III effects pedal, by Roger Linn designs. Since there’s so much to this thing, I’m going to break it up into sections. The first thing we’re going to look at is the built-in amp models.

Not only does this pedal have 40 different amp sounds (including bass amps), each one has (3) tone controls, plus drive and a drive “boost” control, so you can actually get a lot more than 40 sounds out of it. When you add in different pickup configurations, you can get almost unlimited tones out of it.

Here’s the list of amps (the RLD ones are from Roger Linn Design, not modeled off of a specific amp): Continue reading “Adrenalinn III Review: Part 1”