Adrenalinn III Review: Part 2

This is a continuation of the Adrenalinn III pedal review, you can see the previous installment here. This time, we’re going to look at the pedal’s effects, i.e. delay, reverb, compression, and modulation. The reverb and delay are pretty basic, so we’ll spend most of our time looking at the spectacular modulation effects. If you’re a fan of John Mayer, you’ve probably heard this pedal’s modulation- it’s the pedal he uses on the songs Bigger Than My Body, Heartbreak Warfare, and I Don’t Trust Myself.

The way the pedal routes the signal internally can be changed to a certain extent: you can change the order of Amp, Mod, and Compressor in the chain. Delay and Reverb always come last (partly because you can also route the drum machine through delay/reverb). The compressor can be used pre-amp as a sort of clean boost, or after as a limiter.
Continue reading “Adrenalinn III Review: Part 2”

Adrenalinn III Review: Part 1

This will cover the Adrenalinn III effects pedal, by Roger Linn designs. Since there’s so much to this thing, I’m going to break it up into sections. The first thing we’re going to look at is the built-in amp models.

Not only does this pedal have 40 different amp sounds (including bass amps), each one has (3) tone controls, plus drive and a drive “boost” control, so you can actually get a lot more than 40 sounds out of it. When you add in different pickup configurations, you can get almost unlimited tones out of it.

Here’s the list of amps (the RLD ones are from Roger Linn Design, not modeled off of a specific amp): Continue reading “Adrenalinn III Review: Part 1”

Adrenalinn III Pedal Control Project

One of the toughest challenges in using the Roger Linn Adrenalinn III pedal (henceforth referred to as the “A3”) is figuring out how to use it! The pedal is nearly perfect, and yet there are ways I want to use it that don’t fit how it was intended  to be used.

For starters, the pedal is basically two machines in one: a full-blown digital guitar effect pedal, and a Drum Machine. You can connect the two, but I want to be able to use them completely separately, with two separate sets of controls. The pedal’s buttons can control certain things, but can only change presets up/down. You can use external MIDI commands to switch presets, but you can do either FX or drums, or both together, but you can’t use two different controllers to change presets separately.

My setup is a bit complicated, I’ll admit. I have a rack unit that I want in the MIDI chain, for clock-synced delays AND preset changes. But I want the presets to change with the A3’s FX presets, and NOT the drum patterns. I want the Molten Voltage Master Control (henceforth referred to as the “MC”) to provide clock and PC only for drums… and a second controller to provide PC and CC messages only for the rack unit and the A3’s FX side. I also want to leave the A3’s buttons alone to turn individual things on and off. So how do I make this all work?? Continue reading “Adrenalinn III Pedal Control Project”